Modi Tre Giorni sulle Ali della Follia, recensione di ROSSELLA POZZA
credits da:IMDB
Modi – Tre Giorni sulle Ali della Follia (2024)
Directed by
| Johnny Depp |
Writing Credits (in alphabetical order)
| Jerzy Kromolowski | ||
| Dennis McIntyre | … | (based on a play by) |
| Mary Olson-Kromolowski | ||
Cast (in credits order)
| Riccardo Scamarcio | … | Modigliani | |
| Antonia Desplat | … | Beatrice Hastings | |
| Bruno Gouery | … | Maurice Utrillo | |
| Ryan McParland | … | Chaïm Soutine | |
| Luisa Ranieri | … | Rosalie Tobia | |
| Al Pacino | … | Maurice Gangnat | |
| Rest of cast listed alphabetically: | |||
| Floriane Andersen | … | Socialite | |
| Russell Anthony | … | René | |
| Ruki Baunoch | … | Street kid (as Baunoch Ruki) | |
| Kat Fairaway | … | Coco | |
| Aaron Feder | … | Socialite | |
| Nicky Goldie | … | Madame Victoire | |
| Stephen Graham | … | Léopold Zborowski | |
| Anabelle Daisy Grundberg | … | Blue Girl | |
| Eddie Loodmer-Elliott | … | Jean-Sebastian | |
| Hugo Nicolau | … | Maitre D | |
| Sally Phillips | … | Clementine | |
| Philippe Smolikowski | … | General | |
| Philippe Smolikowski | … | General | |
| Eva-Jane Willis | … | Hanka Zborowski | |
| Jamie Wilson | … | Private Graves | |
| Matthew Wolf | … | Francis Carco | |
| G. Maximilian Zarou | … | Maître D’ | |
| C.J. Byrnes | … | Club Patron (uncredited) | |
| Kembe Sorel | … | Desk clerk (uncredited) | |
Produced by
| Simon Afram | … | co-executive producer |
| Mohammed Al Turki | … | executive producer: RSFF |
| Nicola Allieta | … | executive producer |
| Paul G. Andrews | … | executive producer |
| Monika Bacardi | … | Producer:Ilbe / producer |
| Bianca Bezdek-Goodloe | … | executive producer |
| Akshay Bhutiani | … | executive producer |
| Fabio Costabile | … | production supervisor: Italy unit |
| Svetlana Dali | … | executive producer (as Svetlana Migunova-Dali) |
| Stephen Deuters | … | co-producer |
| Konstantin Elkin | … | executive producer |
| Jennifer Eriksson | … | executive producer |
| Patrick Fischer | … | executive producer |
| Agar Forjan | … | associate producer |
| Jason Forman | … | co-producer |
| Katja Horelli | … | co-executive producer |
| Andrea Iervolino | … | producer: ILBE |
| Peter Kohn | … | executive producer |
| Richard Kondal | … | executive producer |
| Leonard Loventhal | … | co-executive producer |
| Nadine Luque | … | executive producer |
| Stephen Malit | … | co-producer |
| Danielle Maloni | … | executive producer |
| Katya Martín | … | executive producer |
| Natasha Mudhar | … | executive producer |
| Barry Navidi | … | producer |
| Viktória Petrányi | … | co-producer |
| Sam Sarkar | … | co-producer |
| Virág Varga | … | line producer |
| Edward Walson | … | executive producer |
| Mattias Westman | … | executive producer |
Music by
| Sacha Puttnam |
Cinematography by
| Nicola Pecorini | |
| Dariusz Wolski |
Editing by
| Mark Davies |
Casting By
| Adél Csemez | … | local casting director |
| Gréti Fellner | … | local casting director |
| Sharon Howard-Field | ||
| Armando Pizzuti | … | (casting director italy) |
Production Design by
| David Warren |
Art Direction by
| Mónika Esztán | … | supervising art director |
| Zoltán Gelsi | ||
| Anna Nyitrai | ||
| Miklos Selmeczy | … | standby art director |
Set Decoration by
| Viktória Gombos | … | (set decoration buyer) |
| Kata Károly | … | (painter) |
Costume Design by
| Penny Rose |
Makeup Department
| Noémi Czakó | … | crowd make up and hair supervisor |
| Kinga Felhalmi | … | dailie crowd hair and make up artist |
| Valerie Jackson | … | Hair Department Head: LA |
| Nikolett Kerselits | … | hair department head |
| Melinda Kovács | … | Makeup trainee |
| Chris Lyons | … | special effects teeth |
| Orsolya Murányi | … | makeup designer |
| Maurizio Nardi | … | key makeup artist: Italy |
| Ken Niederbaumer | … | Make Up Department Head: LA |
| Marisa Pinuelas | … | hair stylist: additional photography, Los Angeles |
| Judit Skirka | … | SFX and Prosthetic Makeup Artist |
| Dorina Szöke | … | crowd daily make up artist |
Production Management
| Henrietta Halász | … | assistant production manager (as Halász Henrietta) |
| Kitti Pozsonyi | … | assistant production manager |
| Lian-Sian Read | … | executive post production manager |
Second Unit Director or Assistant Director
| Jessica Anna Camacho | … | second assistant director |
| James Currier | … | first assistant director: Los Angeles |
| Mika Herzán | … | crowd second assistant director / floor second assistant director: daily |
| Péter Karácsony | … | additional crowd assistant director |
| Kristóf Lázár | … | first assistant director |
| Marton Solymoskövi | … | Key Set PA |
| Jordan Stone | … | first assistant director: Italy |
| Balázs Veres | … | additional set production assistant |
Art Department
| Éva Balázs | … | graphic designer |
| Borbála Barta | … | Illustrator |
| Júlia Boromissza | … | draftsperson |
| Nancy Goodman iland | … | Food Stylist (as Nancy Goodman Iland) |
| Phillip B. Horlings | … | set dresser: LA Unit |
| Helga Kovacs | … | assistant property master |
| Balázs M. Kovács | … | property master |
| Krisztián Kozák | … | clearance coordinator |
| Donát Kári | … | on-set swing |
| Adrienn Nagy | … | assistant property master |
| Beatrix Nagy | … | art department coordinator |
| Tamás Pálmai | … | storyboard artist |
| Giulia Severini | … | graphic designer: Italy |
| Tamás Stadler | … | props |
| Dylan Jonas Stone | … | storyboard artist (as Dylan Stone) |
Sound Department
| Thibault Arnold | … | adr mixer France |
| James Bishop | … | ADR Recordist |
| Jack Cheetham | … | sound mix technician |
| Rob Cunningham | … | Boom Operator: Additional photography |
| Barry Donnelly | … | adr recordist |
| Alan Freedman | … | adr mixer |
| Kholoud Halabi | … | Sound trainee |
| Michael David Johnson | … | sound technician for Mr Pacino |
| George Jones | … | Sound Assistant |
| Richard Kondal | … | sound re-recording mixer / supervising sound editor |
| Alex Outhwaite | … | sound designer |
| Sabrina Salome | … | sound post producer |
| Adrian Sandu-Yota | … | dialogue editor |
| Robert Sharman | … | sound mixer: Additional Photography |
| Ed Trousseau | … | re-recording mixer |
| Mihai Udateanu | … | dialogue editor |
| Hannes Wannerberger | … | sound mix technician |
Special Effects by
| Quinton Farina | … | special effects supervisor |
Visual Effects by
| Nicola di Meo | … | Virtual Production Supervisor / virtual production visualization supervisor |
| Vadym Kodubovskyi | … | visual effects artist |
| Kamile Kvaselyte | … | visual effects coordinator |
| Ashley Leitner | … | visual effects project manager: Koala FX |
| Miquel Moya | … | 3D Generalist |
| Menelaos Pampoukidis | … | visual effects supervisor |
| Dimitri Ryabukha | … | digital compositor |
| Kornelijus Tuzas | … | visual effects artist |
| Aleksandr Viatkin | … | visual effects |
| Antoni Zakheos | … | visual effects artist |
| György Ádám | … | on set visual effects supervisor |
Stunts
| Tamás Egri | … | stunt rigger |
| Albert Epres | … | Key Stunt Rigger |
| Joe Kovalik Jr. | … | Assistant Stunt Coordinator (as József Kovalik Jr.) |
| Tibor Milos Krisko | … | stunt performer |
| Wollein Lilla | … | stunt performer |
| Viktória Szendi | … | stunt rigger |
Camera and Electrical Department
| Gábor Balda | … | key grip |
| Lucas Bielan | … | “A” Camera operator |
| Valerio Brunelli | … | electrician |
| Bence Bálint | … | grip |
| Zoltán Bók | … | electric rigging best boy |
| Attila Csoboth | … | camera operator |
| Ádám Czonev | … | electrician |
| Busch Edvard | … | electrician |
| Dániel Farkas | … | Digital Imaging Technician |
| Gergely Gottscháll | … | Central Loader |
| Dávid Gál | … | Rigging electrician |
| Ryan Haskins | … | grip: los angeles unit |
| Krisztián Horváth | … | best boy electric |
| Vilmos Keszler | … | best boy |
| Zoltán Magony | … | Dimmer Board Operator |
| Flavio Meloni | … | Lighting Console Programmer |
| Holden Miller | … | second assistant camera: Los Angeles Unit |
| Henrik Oláh | … | electrician |
| Krisztián Paluch | … | gaffer |
| Francesco Pintore | … | First Assistant Camera. “A” Camera |
| Leo Pintér | … | still photographer |
| Gergely Szabó | … | grip |
| Lukas Trso | … | “A” camera 2nd Ac |
| Gergo Vasari | … | grip |
Casting Department
| Melinda Derdak | … | extras casting |
| Balázs Kovács | … | extras casting |
| Alexandra Plank | … | extras casting |
| Nathan Wiley | … | Co-Casting Director |
Costume and Wardrobe Department
| Marco Alzari | … | assistant costume designer it |
| Norbert Barna | … | Costume Truck Supervisor |
| Nora Gondocs | … | Principal dresser |
| Mark Lord | … | associate costume designer |
| Eszter Retfalvi | … | costumer |
Editorial Department
| Heidi Freeman | … | 1st Assistant Editor |
| James Harding | … | on-line editor |
| Brian Krijgsman | … | digital Intermediate colourist |
| Alex Lambden | … | on-line editor |
| Andy Penfold | … | on-line editor |
| Sara Ranucci | … | on-line editor |
| Máté Ternyik | … | colorist: dailies |
| Carl Troedsson | … | lead on-line editor |
Location Management
| Gergö Bakos | … | locations |
| Ed Lippman | … | location manager |
| Árpád Márton | … | assistant location manager |
| Zoltan Palfalvi | … | location manager |
Music Department
| Ian Neil | … | music supervisor |
Transportation Department
| Miklós Horvát | … | picture car coordinator |
Additional Crew
| Razan Alsoghayer | … | assistant |
| Kata Barta | … | Assistant to Johnny Depp |
| Bianca Bezdek-Goodloe | … | Co-Executive Producer / Legal Counsel / Legal Representative |
| Alessia Cucullo | … | Legal Counsel |
| Bálint Gacsal | … | Travel & Accommodation Coordinator |
| Brendan Gunn | … | Dialect Coach for Ryan McParland |
| Árpád Halász | … | chief animal coordinator |
| Zoe Hegedus | … | Food stylist |
| Melissa Heiman | … | cast reader |
| Paul Hillier | … | Insurance |
| Zeena Mirghani | … | assistant |
| Daniel Nixon | … | uk financial controller |
| Simone Oppes | … | production assistant: Italy Prep |
| Petöcz Panna | … | set production assistant |
| Kitti Pozsonyi | … | Assistant Production Manager |
| Scott Sener | … | Stand In Los Angeles Unit |
| Sarah Shepherd | … | Dialect Coach |
| Veronica Vanessa Stone | … | International Coordinator (as Vivi Stone) |
| Johanna Szalai | … | Assistant to Producers |
| Stekler Sára | … | assistant production coordinator |
| Clea Tammes | … | unit publicist |
| Margarita McClenon Velona | … | Set Medic |
| Csaba Veres | … | production accountant |
Thanks
| Alexandra Stone | … | special thanks |
NOTE: Presentato nella sezione Grand Public della Festa del Cinema di Roma, 2024.
recensione di ROSSELLA POZZA: Johnny Depp porta alla Festa di Roma una sua opera da regista molto ambiziosa e molto libera, a volte quasi anarchica. Un film ricco di ritmo, di fascino, di gag a tratti irresistibili. Di duelli recitativi da antologia del cinema (memorabile quello, del protagonista Riccardo Scamarcio con il monumentale Al Pacino: una scena che in origine nella sceneggiatura era di 17 pagine, già da far tremare le vene ai polsi di qualsiasi attore, riscritta la mattina stessa che doveva essere girata da Depp e portata a 28 pagine. Scamarcio, nella conferenza di presentazione alla stampa ha confessato tutto il senso di inadeguatezza che provava prima di girarla, ma ha poi pensato: “Se Johnny Depp pensa che io possa farcela, allora ce la farò!”. Lo scambio di battute tra Al Pacino è di quelli da incorniciare. Il vecchio mercante d’arte cerca di umiliare il giovane Amedeo Modigliani, facendo una offerta offensiva per l’acquisto di suoi 3 quadri: “Le posso dare 600 franchi. / Io non venderei un mio dipinto nemmeno a 5.000 franchi. /non intendevo per ciascun dipinto, ma per tutti e tre. Ma cosa ha ancora nella sua borsa… /non tocchi le mie cose! / (Prendendo la scultura di una testa): ma lei è uno scultore, non è un pittore. Questa scultura gliela compro per 5.000 franchi. /non è in vendita. / tutto e tutti sono in vendita/ Lei non ha capito, io non sono in vendita e questa scultura non è in vendita. / le do 20.000 franchi in contanti nelle sue tasche subito, le cambieranno la vita. / Lei non ha abbastanza soldi per acquistarla e non li avrà mai. Io sono molto più ricco di lei. Lei potrà dire che è esistito. Io, invece, sono vissuto…. Il gusto lei ce l’ha nel buco del culo, signor Gangnat!”). Il film è sontuoso, barocco, di eccellente confezione, fantasioso, provocatorio, di grandi interpretazioni (un plauso particolare merita Riccardo Scamarcio, anche per il suo ottimo inglese, probabilmente scelto da Depp dopo averlo visto interpretare il pittore maledetto ne “L’Ombra di Caravaggio” di Michele Placido, tra le sue migliori interpretazioni di sempre).
Valutazione sintetica: 7.5/8